Angered by what has happened, Zen continues to battle through No. Zen's father, Masashi, eventually makes it to the battle, but while he and Zin are fighting No. 8's crew to get her mother back and faces Thomas, a capoeirista boy with Tourette's who proves to be a match for her until she adapts to his erratic fighting style. The meeting turns into a fight in which both Zin and No. 8 to save Moom and try to reach a solution, bringing Zen with her. When Moom does not return, Zin goes to confront No. Masashi receives the letter in Japan and leaves the Yakuza for the sake of his family. 8 has the letter mailed anyway, because he wants to deal with both Zin and Masashi. 8, and sends Moom to mail a letter to Masashi asking for help. She realizes there will be retaliation from No. 8 learns that Zen is collecting debts for the sake of Zin's treatment, and Zin finds out what Zen and Moom have been doing for money when her toe is sent to her as a message. This leads to further confrontations with various criminal gangs and, eventually, No. The first attempt to collect the money turns violent, and Zen uses her copied martial arts skills to fight back. In order to get money to pay for her mother's cancer treatment, Zen and Moom decide to collect on the debts. One day Moom discovers a list of debtors in an old notebook from the days when Zin was a high-interest moneylender under No. However, they are not able to earn enough to keep up with the treatments. Zen and Moom attempt to make the money needed to pay for them by having people throw balls at Zen as a street performance act. Zin then falls ill with cancer and does not have the money to pay for chemotherapy treatments. Feeling sorry for his plight, she takes him in. One day when coming home from work, Zin sees a little boy named Moom being picked on in the streets. She also has uncanny reflexes and is able to catch balls thrown at her without even looking. Zen becomes infatuated with martial arts and from a young age, and learns martial arts by mimicking the moves she sees being performed by the school's students, as well as the martial arts movies that she sees on television, among them Bruce Lee and Tony Jaa films. Zin is forced to move again to a house shared by a Muay Thai Kickboxing school. He visits Zin and cuts off one of her toes to remind her that she is forbidden from seeing Masashi.

8 finds out that Zin is in contact with Masashi and is furious. As Zen gets older, Zin one day decides to tell Masashi about his daughter by writing him a letter. She has a daughter named Zen who is soon found to be autistic. Soon after, Zin finds herself pregnant and moves into a new place to get away from No. Zin asks Masashi to go back to Japan, as they would not be able to be together safely. After Zin chooses Masashi, he shoots his own toe as a symbolic gesture and forbids Zin from ever seeing him again. 8, who was jealous of her relationship with rival gangster Masashi. Zin was previously the girlfriend of Thai gangster No. And you can anticipate the fates of the various acolytes from the first nibbles - the outspoken old grandma (Judi Dench) on the outs with her disapproving adult daughter (Carrie-Anne Moss), the pre-feminist wife (Lena Olin) who feels caged in an abusive marriage to a brutish café owner (Peter Stormare), the dotty old pensioner (John Wood) afraid to court a dotty old widow (Leslie Caron).Zin is the Thai lover of Japanese Yakuza boss Masashi. You can see the battle lines forming immediately between those like the local priest (Hugh O’Conor) who struggle to abstain for heaven’s sake and those who prefer to indulge on earth. Of course, anyone who tastes a morsel - braving the disapproval of the town’s prissy, sanctimonious leading citizen (Alfred Molina) - emerges liberated, aroused, hot to trot. Vianne’s specialty is making chocolate, and the mother and daughter set up shop, both ablaze in brilliantly colored dresses that stand out among the drab locals. Based on a novel by Joanne Harris and directed by Lasse Hallstrom with the same marzipan glaze he applied to The Cider House Rules, the magical fable stars Binoche as Vianne Rocher, a mysterious single mother who, with her young daughter, Anouk ( Ponette star Victoire Thivisol), blows into a chilly, pinched, starvingly pious French village one windy 1950s day. Chocolat obliges popular taste to resist is not worth the principle since, unless you’re allergic to cocoa or butterfat, it’s as agreeably sweet as advertised, with a particularly yummy performance by Juliette Binoche (lusciously pretty and French and a 1997 Oscar winner for her role in the Miramaximized adaptation of The English Patient).

Movie chocolat